Affective Performance and Cognitive Science: Bridging the Gap Between Emotion and Cognition

Affective performance is a type of performance that is characterized by the expression of emotion. This can include performances in the fields of music, dance, theater, and art. Cognitive science is the study of the mind and its processes. It encompasses a wide range of disciplines, including psychology, neuroscience, and linguistics.

Affective Performance and Cognitive Science: Body, Brain and Being (Performance and Science: Interdisciplinary Dialogues)

by Agatha Christie

5 out of 5

Language	:	English
File size	:	4075 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	320 pages

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Affective performance and cognitive science are two fields that have traditionally been studied separately. However, in recent years, there has been a growing interest in the relationship between these two fields. This is because it is becoming increasingly clear that emotion and cognition are not separate entities, but rather two sides of the same coin. Emotion can influence cognition, and cognition can influence emotion. This relationship is particularly evident in the context of performance.

When we perform, we are not simply expressing our emotions. We are also using our cognitive abilities to plan and execute our performance. The way that we think about our performance can influence the way that we feel about it, and the way that we feel about our performance can influence the way that we perform. This complex relationship between emotion and cognition is what makes affective performance so fascinating.

Affective Performance and Cognitive Science is a groundbreaking book that explores this relationship in depth. The book brings together leading scholars from the fields of psychology, neuroscience, music, dance, theater, and art to provide a comprehensive overview of the current state of the art in this emerging field.

The book is divided into three parts. The first part, "The Foundations of Affective Performance," provides a theoretical overview of the relationship between emotion and cognition. The second part, "Affective Performance in Practice," examines the application of affective performance principles in a variety of performance contexts. The third part, "The Future of Affective Performance," looks at the future of this emerging field.

Affective Performance and Cognitive Science is a must-read for anyone interested in the intersection of emotion and cognition. It is a groundbreaking book that provides a comprehensive overview of this emerging field. The book is written in a clear and accessible style, and it is packed with insights from leading scholars in the field. Affective Performance and Cognitive Science is a valuable resource for anyone interested in the psychology of performance, the neuroscience of emotion, or the intersection of art and science.

Table of Contents

• Part 1: The Foundations of Affective Performance
• Part 2: Affective Performance in Practice
• Part 3: The Future of Affective Performance

Part 1: The Foundations of Affective Performance

The first part of the book provides a theoretical overview of the relationship between emotion and cognition. It begins with a chapter by Susan A. Krauss, who provides a historical overview of the study of emotion and cognition. Krauss argues that the traditional view of emotion and cognition as separate entities is outdated, and that the two are actually inextricably linked. This chapter provides a solid foundation for the rest of the book.

The second chapter, by Jaak Panksepp, examines the role of emotion in the brain. Panksepp argues that emotion is a fundamental aspect of human nature, and that it plays a crucial role in our survival. He identifies seven primary emotions that are hardwired into the brain, and he discusses the neural mechanisms that underlie these emotions.

The third chapter, by Stefan Koelsch, examines the relationship between music and emotion. Koelsch argues that music is a powerful trigger of emotion, and that it can have a profound impact on our thoughts, feelings, and behavior. He discusses the neural mechanisms that underlie the emotional response to music, and he explores the use of music to treat a variety of psychological disFree Downloads.

Part 2: Affective Performance in Practice

The second part of the book examines the application of affective performance principles in a variety of performance contexts. It begins with a chapter by Jennifer L. Wolanin, who discusses the role of emotion in music performance. Wolanin argues that emotion is an essential element of musical expression, and that it can help to create a more authentic and engaging performance. She provides a number of practical tips for musicians on how to use emotion to enhance their performances.

The second chapter, by Ana Giordano Santos, examines the role of emotion in dance performance. Santos argues that emotion is a powerful force in dance, and that it can help to create a more expressive and memorable performance. She provides a number of practical tips for dancers on how to use emotion to enhance their performances.

The third chapter, by John Bell, examines the role of emotion in theater performance. Bell argues that emotion is a

Affective Performance and Cognitive Science: Body, Brain and Being (Performance and Science: Interdisciplinary Dialogues)

by Agatha Christie

5 out of 5

Language	:	English
File size	:	4075 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	320 pages

FREE